This cover's graphic design was based on Bauhaus principles but mostly on the work of colour theoritist Ludwig Hirschfeld-Mack. His 1920s experiments included various apparatus that could generate moving projections of coloured light.
To bring those effects in use, Work Associates build, using Lightwave software
a replica of Hirschfeld-Mack's apparatus
The resulting letterforms were then re-drawn based on a Josef Albers stencil sans serif.
(via Creative Review)
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